Monday, November 09, 2009

Tree of Life

Painting by Kelly Pankey
Acrylic on canvas
4'x 2'6"



Contributor’s Note: I am currently a student with a few semesters behind me. I am hoping to receive a degree from Cerro Coso and then transfer to a university. I love to read and write, but I have also discovered, since attending college, that I enjoy just about every other subject I pursue in my studies.

Monday, November 02, 2009

Waxing the Moss on My Back

Essay by Kristi Goss

I had a Super Bowl party last night. This house is a disaster. Dishes are strewn around and there is the faint odor of cigarettes in the closed garage. Empty soda and beer cans are lined up on the kitchen counter. Remnants of a once whole tortilla chip are ground into the carpet. I’m stressed out but an unlikely acceptance overcomes me. Usually, I can’t concentrate with such a catastrophe surrounding me, but I have an assignment due for a college class. With a two year old boy, no sitter and limited time - I summon the energy to get started on it.

I plop down at my computer with my hot cup of coffee in my hand, staring out the window of my house. It’s a modest house, but it rests in an almost flamboyant spot and I call it home. I scored this geographical prize a few months ago. It was pure luck and it's cheap. I am content here. Did I say I’m content here? Yes, I can honestly say I’m just fine here.

I get to work and begin to type, but I'm distracted as a hummingbird lands on the feeder I’ve placed outside my window. She visits often. Her body ruffles with the chill in the air. She seems frenzied, yet curiously calm on her perch. A family of Quail waddles along the hillside looking for some food. A cottontail bunny playfully hops across the yard. Cows dot the hillside and the sizable mountains behind them vanish at the top of my windows. It’s unpleasantly cold and dark, but the storm clouds have fragmented long enough to reveal the striking rolling green hills that are in my view. Cool, bluish-grey shadows reveal intense emerald patches of grass that resemble a manicured golf course. The invented golf greens are broken up with large grey rocks and a crisp cerulean blue sky that I had painted from imagination years ago. Countless snarled oak trees and mossy boulders are scattered across the hills. I think of how permanent they are. They have no option of getting up and leaving. Everlasting and wise, they seem pleased right where they are.

A crackling fire is burning in my fireplace and my two year old son stares into the television with those annoying TV characters, the Teletubbies, giggling in the background. The noise is distracting, yet while entertaining my son it offers me a bit of time to do my “thing” with school. As I gaze out the window, I’m content and peaceful. I don’t itch to get out of this place. I love it here. This is a change for me because I’ve spent most of my adult life wanting to get out of the geographical prison I was born into.

Growing up in a small town wasn’t desirable to a girl who wanted to be a rock star and an artist. The yearning to break free has led me to some interesting places. My first break out was in my teens. I moved to Hollywood, then after a summer, moved back home. The San Francisco Bay area was home for awhile, and then I hung out with Buddhist monks in a monastery in Scotland. The culture and the old traditions of the Deep South were intoxicating too, but so was I, most of the time. It was time to go home again. I escaped to the glamorous Palm Springs. As I did many other times, I retreated into my cell. This time, I brought a visitor. As I keep typing, I look up at my beautiful and precocious son, Jack. His triumphant entry into the world has slowed my hurried approach to life. Yet, he keeps me at a speedy pace. So here I am, back again. Although, this time, it no longer feels like a sentence.

I get up to clear some cans off the counter while my son is singing along to the lyrics “I love you, you love me…” with Barney. This tune would make me nauseous at any other time in my life, but watching my two year old attempt to sing anything brings a big smile to my face. I try to refocus. I sit down and begin typing again, trying to put words to what I’m feeling and experiencing. It’s difficult to concentrate with this little guy at my feet.

It’s time to put another log on the fire. It’s time to put another load in the dishwasher. I get up for the hundredth time to check on my son who has now retreated to his room to play. He’s fine, so I sit down again at the kitchen table to get this assignment done. It doesn’t take long before Jack has wandered out of his room and is again staring at the TV. He’s hungry. I make him lunch. He seems pleased. I pour another cup of coffee and begin typing again.

As I struggle to illustrate the final points on my paper, I can’t help but look up from my computer and out at the rolling hills again. The rain clouds are returning. The overcast sky turns the colors of the landscape into a deeper and richer palette. The weather is constantly shifting, suggestive of our life on this planet. Gazing deep into the landscape, I sense a profound knowledge that I am going places. With the effort and determination of returning to school, I’m traveling in my mind. My soul knows that I’m moving towards something different - something I think I like, yet the geography is the same.

As I eagerly type the last sentence, the harried hummingbird returns to the bare-limbed tree outside. I watch her dance around. This creature is free to go wherever she wants, yet she remains here - day after day. I think she loves it here. She’s content - reminiscent of the oak trees, the mossy boulders and regardless of the cloudy days.

Contributor’s Note: Kristi Goss is a forty-one year old student returning to college to achieve a bachelor’s degree. She writes, paints, plays guitar and (at his frequent request) plays "pirate" with her two year old son, Jack.

Monday, October 26, 2009

Poetry in the Written Word

Poem by Jennifer L. Day

A drama of black and white
Creating characters of love, hate, heartache
Erratic in its conception
Fluid in its completion

Defying ways of the mind
But surrendering to the soul
As I look on that which I love
I, all the more, consider it my enemy

Contributor’s Note: I am currently a student at Cerro Coso and hope to continue studying the art of the English language. I love photography and I hope to learn more of the arts and all they entail.

Monday, June 22, 2009

Fiction Contest--Deadline July 31

Glimmer Train Press

Family Matters
A prize of $1,200 and publication in Glimmer Train Stories is given quarterly for a short story about family. Online submissions are encouraged. Submit a story of 500 to 12,000 words with a $15 entry fee by July 31. Visit the Web site for complete guidelines.

Very Short Fiction Award
A prize of $1,200 and publication in Glimmer Train Stories is given twice yearly for a short story. Online submissions are encouraged. Submit a story of up to 3,000 words with a $15 entry fee by August 31. Visit the Web site for complete guidelines.

Glimmer Train Press, 1211 NW Glisan Street, Suite 207, Portland, OR 97209. (503) 221-0836. Susan Burmeister-Brown and Linda Swanson-Davies, Coeditors. http://www.glimmertrain.org/

Monday, June 15, 2009

Fiction Writing Contest


Attention Creative Writing Community: the Tennessee Williams/New Orleans Literary Festival is accepting submissions for its Second Annual Fiction Writing Contest. The winner will recieve a $1500 prize, a $500-value VIP pass to the festival (March 24-28, 2010), publication in the New Orleans Review, and more. Open to writers who have not yet published a book of fiction. For all the details, go to tennesseewilliams.net. Sounds like a good time!

Tuesday, March 31, 2009

Creative Writing Club: Call for Writers and Literature Lovers!



Oh, the words, the words,
the achingly
inadequate
beautiful
words.

--Terry Hertzler



Allow me to introduce myself: my name is Michele Beller, and I am the new Student Editor for Cerro Coso’s online Creative Writing Club. I am very excited about having a community of fellow writers with whom I can share my love of writing and good literature. What a great opportunity! Here, we can support each other as we master our craft, bounce ideas off each other, and share resources. I look forward to some inspiration, some good reads, and I really look forward to some great discussions!

What better time than National Poetry Month (April) to shift the online Creative Writing Club into first gear and get ‘er running again? National Poetry Month is an annual celebration of the art of poetry, with the goal of increasing appreciation and support for poetry and poets. Let’s read some great poetry! Let’s write some even better poems! Let’s turn our friends and family on to the pleasures of verse! And let’s have some great fun in the process!

National Poetry Month was started by the Academy of American Poets in 1996, and has been gaining momentum every year since. Inspired by this celebration, we have many fun activities scheduled for April, like some great reads, and some fun writing exercises. Come join us! If you are already a member of Cerro Coso’s online Creative Writing Club, log on and jump in. You’ll see the site has received a spiffy tune-up and a new paint job. If you’re not a member, go here to request the enrollment key from the club’s faculty advisor, Gary Enns.

Monday, December 08, 2008

Review for Parra's After-Dinner Declarations

After Dinner Declarations
Poetry by Nicanor Parra / Translated by Dave Oliphant
Available: December 2008
Host Publications

"What is Poetry?" begins a Nicanor Parra poem that sets the stage for an experience in poetry I never knew I wanted. All right, so you have to get halfway through the book before you read this snippet of thought I'm beginning with, but sometimes we have to be in the middle to realize the value of what came before. Parra describes himself as an anti-poet and I could, at best, be described as anti-poetry. Don't get me wrong, I like some of it, and my generalized opinions haven't miraculously changed due to this reading, but I do believe a gem has been found. I think most critics can agree it's difficult to find good poetry saying something remotely interesting. What was appealing about Parra's style is that he's not pretentious, nor is he cliché.

Parra writes many of his poems in succession to each other offering you to read as if he were thinking aloud and letting his mind wander. Readers might not be familiar with many of the other authors Parra frequently mentions, but think of it as a chance to depart from the formulaic writings that are thrust into our Hollywood society and jump into new ideas for your next booklist. It doesn't take away from the experience. Parra's unique way with words, if not somewhat cryptic, creates a sense of humility (sometimes self deprecating) while simultaneously pompous. And he certainly knows how to serve up a bowl of irony that's palatable while still being thought-provoking.

In one particular poem, Parra utilizes Hamlet's most famous soliloquy, commentary sprinkled throughout for a modern context, in a blatantly honest and humorously somber look into the human condition. The genius that is "After Dinner Declarations" could only come from someone who has lived long enough to know or was born with more wisdom than he deserves. He has seen the pain of politics, life, and ignorance. And yet he maintains the outrage and innocence of a youth who has not yet seen the remainder of his poems. That sort of passion dies with "I've lived long enough to understand," "I've seen things over the course of my life," and the ever so slightly bitter and accepting; "The world is going to hell in a hand basket." He sees idealism as a requirement for young people and insanity for old, but you can't help but see sparks of optimism in his own ideas. Maybe as you reach a certain age, you're able to suppress it and by the time you pass age 70, you can afford to think like a young man/woman, provided the excuse "eccentricity" is readily available.

There are few poets (and for that matter, authors) who can illuminate a problem with such calm and normalcy to be effective in inspiring voluntary brainwork. Parra's "Remarks by the Minister in Charge" relates a social dilemma as if it were the fault of the victims, not unlike the style of Jonathan Swift's "A Modest Proposal." The creativity of this reverse psychology tickles the poetic ivories until you hear the sound of truth ringing in your ears.

The book, on the whole, is very enjoyable. In fact, I quite enjoyed this work for its honesty, complexity, irony, and entertainment, (not to be confused with modern entertainment which lacks the essential effort it takes to realize your being entertained). Parra without a doubt has a way with words, and more importantly, ideas, which explains why he has been nominated several times for a Nobel Prize. But his work speaks for itself, so, to return to the question and poem that I began with, "What is Poetry?" I step down from my podium and ask someone better than me to answer. Mr. Parra, would you mind taking the floor?